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has been a long time coming, teased and/or postponed by the band, and awaited and/or dreaded by fans for a decade.The first 200 LP copies even utilized Fleer-pink vinyl (just like Ruth Ruth’s 1996 “Brainiac” 45 and, uh, probably other things), but contrary to long-running rumors, this is not a covers record this time — just an amazing all-originals simulation, mostly of teeny-bop smashes by sundry Kasenetz-Katz-produced studio concoctions (plus the Archies) circa 1967-1970.For a brief time in 2002, the band featured back-up singers Deanne Iovan (also formerly of the Come Ons) and future bass player Ko, in addition to five Taylor Sheridan, an official selection of the Premieres program at the 2017 Sundance Film Festival.First, two belated observations about metropolitan Detroit’s resilient so-called “garage rock” scene, from whence sprung such world-beaters as the White Stripes: 1) It started out super kitschy and cheesy, so much so that, when I lived there in the mid-’80s, I remember exactly zero members of bands I spent time with (Necros, Laughing Hyenas, etc.) who took bone-necklaced, Hawaiian-shirt, nyuk-nyuk googoomuck like Ferndale trio Snake-Out’s 1985 remotely seriously; and 2) Give or take the theoretically game-changing Gories — stirred into action circa 1986 by the scum-slopped, gopher-gut, greaser-bands-that-went-nowhere bootleg compilation series -documented era was even the later Detroit stuff’s primary inspiration.Or, at least, hardly anybody was a purist jerk about it.\u00a9 2016 Sundance Institute.","created_timestamp":"1459887970","copyright":"\u00a9 2016 Sundance Institute","focal_length":"70","iso":"500","shutter_speed":"0.001","title":"Wind River - Still 4","orientation":"0"}' data-image-title="Wind River – Still 4" data-image-description="" data-medium-file="" data-large-file=" quality=80&w=806" data-lazy-src=" quality=80&w=100&h=100&crop=1" data-lazy-srcset=" quality=80&w=100&h=100&crop=1 100w, quality=80&w=200&h=200&crop=1 200w, quality=80&w=150&h=150&crop=1 150w" data-lazy-sizes=" quality=80&w=100&h=100&crop=1 100w, quality=80&w=200&h=200&crop=1 200w,

Melbourne crowds and venues have a long and celebrated tradition of nurturing live music, making Melbourne the nation's music capital.In the ten-plus years since their conception, a host of Detroit rock musicians have been members of the Dirtbombs both in the studio and on the road.As of September 2008 the band's lineup consists of Collins on guitar, (formerly of Ko & The Knockouts) on a distorted “fuzz” guitar, Zachary Weedon (of Lee Marvin Computer Arm and the Readies) on bass, and Ben Blackwell (owner of record label Cass Records) and Pat Pantano (formerly of the Come Ons) on the two drum sets.played bass from 1997 until 2004 and during that time Diamond also recorded and co-produced the Dirtbombs output with Mick Collins at his Ghetto Recorders studio in Detroit.Troy Gregory (formerly of Flotsam and Jetsam, Prong, and lead singer of The Witches and Troy Gregory & The Stepsisters) played bass from June 2004 to September 5, 2008, also constituting one of the longest runs of any Dirtbombs member: the four-year line-up of Collins, Pantano, Blackwell, Melina, and Gregory is the longest lasting Dirtbombs line-up to date.

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There’s only one thing wrong with Dangerous Magical Noise, the latest from Detroit rock gods the Dirtbombs: the release date of 4 November, 2003.

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